Allison's Book Bag

Archive for the ‘Coretta Scott King’ Category

Lockdown is my sixth book by Walter Dean Myers. Unlike some of my earlier selections, Lockdown is written in straightforward prose instead of an alternate format such as script or verse. In being about a teenager who is locked up in a juvenile detention facility, Lockdown also makes my third book by Myers which focuses exclusively on street youth. Each new reading selection has heightened my respect for Myers as an author; Lockdown is no exception.

For those who are sheltered from the street life that led fourteen-year-old Reese to a juvenile detention facility, Lockdown provides insight into his mind and should provide you with empathy for youth like him. At first I struggled to relate to Reese, who starts out being willing to fight anyone in Progress, the institution where he serves time. Never having been in a fight, my first reaction in a conflict has never been to use my fists. Thus, because all Reese must do to receive an early parole is keep himself clean, my initial reaction was: Why doesn’t Reese just walk away from fights? How hard can that be? True, sometimes Reese got into fights to protect a friend.  Does that mean Reese is noble and just, and so has an excuse for his actions? Actually, no. In reality,  Reese threw a punch because someone ridiculed or threatened him. As I read more of Lockdown, and of Reese’s conflicted thoughts about his fighting, I started thinking about issues that many Americans face. For example, how many times have you promised yourself to diet? Then something goes wrong and you console yourself with ice-cream? If that happens too many times the pounds will keep adding up, but it’s hard to remember or care about that when you’re in the depths of despair. Or how many times have you promised yourself to budget? Then you see something on sale that you must have. You tell yourself, just this one time, and before you know it your money is gone again. The same is true about Reese and fights. He intends to resist, but situations reel him in and sink him. Other times he finds himself instinctively decking a combatant, the way you might duck if a baseball flew at your head. I love this line in Lockdown: “…. he said the streets were like quicksand covered with whipped cream. You knew when they were slowing your ass down, but it always came as a surprise when you got sucked under.” In other words, walking away from fights is as tough for Reese as sticking to diets and budgets are for others.

For those who are acquainted with the life that led Reese to a juvenile detention facility, Lockdown serves a cautionary tale of hope. Verbal abuse and physical threats from his peers assault Reese on a daily basis. At least once a week, innocuous activities such as playing basketball, hanging out with a friend, or voicing his opinion run him the risk of being beaten up. After one fight, Reese is sent to detention in a small locked room for five days. Adults warn Reese that if he continues to mess up, he could end up sentenced to years, not days or even months, in an adult prison. When Reese is offered payment as part of a work program, the checks pay for his transportation to the job, phone calls he makes to his family, and other similar expenses. In other words, nothing ever really belongs to him. Speaking of that job, some of the seniors whom Reese meets at the retirement home become suddenly protective of their possessions when Reese passes their room. Suspicious glances are part of Reese’s lot in life now that he is a criminal. One of the most compelling scenes involves a police investigation in the course of which Reese is told to plea bargain or face life in prison. How did this investigation come about? Reese had been involved with a drug dealer who ended up murdering someone. Why did the police pick up Reese? Basically, once labeled as a criminal, one will always be viewed as a criminal—even if one’s only crime was stealing prescription pads to make ends meet. In this case the police were willing to implicate anyone involved with the dealer, in their quest for justice. Reese even hits a point where he wonders if life outside of prison will be better for him. If all that awaits him outside are gangs and violence, how is he better off staying clean? Yet if he stays in prison, he could end up dead too. If ever a book could convince youth to stay on the straight and narrow, Lockdown is it.

Each consecutive book I read by Myers becomes my new favorite. Lockdown currently appeals to me the most because it offers more solutions and hope than the others I have read. In counseling sessions, Reese is told that fighting for whatever reason will land him in more trouble. Therefore, he needs to figure out better ways to deal with conflicts. One of the dilemmas he faces is that others who have less hope of ever leaving will attempt to derail him. He needs to have  strategies to deal with these moments of crisis. A gentleman he meets at the senior home where he works is one of the caring adults who helps him figure out those fall back plans. When up for early parole, Reese offers various reasons why the board should listen to them. Among his reasons are his siblings. When Reese is released from Progress, his plan is to act as a role model to his brother by staying in school. He also intends to find a job so that he can support his sister through college. With these ambitions, and because of the adults who are his support system, one feels hopeful that Reese will overcome the street life.

Myers has written over fifty books, several of which were experimental in style and many of which have won awards. I’ll miss reading Myers’  books, which have reminded me that there are real human beings behind those faces we see on television. If you have been following my reviews of Myers’ books, I would love to hear from you. Which are you planning to read? What were your favorites?

My rating? Bag it: Carry it with you. Make it a top priority to read.

How would you rate this book?

Have you ever read a script novel? This week I read my second. It’s called Monster, was written by Walter Dean Myers, and has garnered many awards. According to the School Library Journal, script novels incorporate techniques of playwriting, screenwriting, or some kind of performance art such as poetry or monologue. Since starting Allison’s Book Blog, I have tried these alternate formats: graphic novels, script novels, and verse novels. Of these, the script novel is my favorite, perhaps because they feel closest to traditional fiction.

Monster is about sixteen-year-old Steve Harmon, who has been accused of serving as the lookout for a robbery of a convenience store which resulted in the death of the store owner. The rationale for the script format is that Steve feels as if he has walked into the middle of a movie, a strange one, not like the ones he had previously seen of prisons. His movie is black and white and grainy; sometimes the images are so blurred that one has to listen to the sounds instead to know what’s happening in a scene. Prior to his arrest, Steve had been working on a film. By recreating his life in the format of a film, he musters up the ability to survive the nightmare of prison, even though he is alone and scared.

As with each other alternate format that I have tried, I checked out the research to find out how literary experts view script novels. According to the School Library Journal, script novels first appeared around 2005. Some examples include traditional novels, wherein the main characters were involved in school plays and scenes from those plays were incorporated into the narrative. On the other side of the spectrum were novels which were written foremost for the stage, one of them even being written in the format of Reader’s Theater scripts. The rest of the examples fall in the middle, one of them being Project Mulberry by Linda Sue Park. It included scripted conversations between the author and her protagonist throughout the standard narrative. At the time of reading it, I had no idea that the format was anything exceptional; hence, my claim that the script novel feels closest to traditional fiction.

Why the script format? According to the School Library Journal, this genre is memorable for its use of writing that closely approximates natural speech and therefore lends a sense of immediacy to the narrative. This definitely holds true for Monster, whose script format made me feel as if I were listening to a televised trial. The drawback however is similar to one which I had about Myers’ verse novel Street Love: Sometimes I felt lost as to who the speakers were. Especially when the various lawyers took their turns speaking, I often didn’t know whose side they represented. In Monster, I also see another benefit of the script format, which is the emotional impact it can create. By describing the courtroom in the formal and objective tone of a play, Myers effectively created a strong contrast between it and the personal thoughts of Steve. This juxtaposition of neutrality and confusion ripped at my heart for Steve’s plight, in a way that might not have been possible with prose fiction.

What is your experience with script novels? Do you have favorites? Or have you yet to explore the format? The School Library Journal suggests script novels might evolve into their own legitimate format. If Monster by Walter Dean Myers is one of the better examples, I look forward to how script novels will change the literary world.

My rating? Bag it: Carry it with you. Make it a top priority to read.

How would you rate this book?

Cover of "The Road to Paris (Coretta Scot...

Cover via Amazon

Welcome to the fourth installment of Andy’s Sack o’ Books.

The Road to Paris By Nikki Grimes

Paris Richmond is trapped by love. She loves her foster family, who has taught her what a family should be. She loves her brother, who has lived in a group home since he was deemed “incorrigible” for stealing from a previous foster family. She loves – and hates –  her alcoholic mother, whose weakness and selfishness has sabotaged her life.

Paris’ happy life with her new family is shattered by a phone call from her mother, who wants her back. The rest of the story is about how Paris came to live with, and love, her new family. It is also about her conflicted heart. She wants to love her mother. She wants to completely belong to a family. She wants to be with her brother again. But she also wants to remain with the family that loves her.

That’s a lot to put on an eight-year-old girl.

The Road to Paris gets many things right. In some cases, I know with certainty that it does. In other cases, it convinces me that it does even though I have no way of knowing – it sounds right; it fits with what I think I know of human nature.

The author creates a very real and perfect conflict for Paris. For the most part, there are no villains in this story. Paris’ mother has her problems; often Paris hates her, but she also wants to love her and she wants her family to be whole again. When Paris goes to visit her halfway through the book, we find out that Viola is not a monster and that a spark of love has survived the years of hurt. The foster family too is not composed of monsters. How many stories have we seen and heard about kids who bounce from once horrific foster family to another? Paris and her brother have certainly bounced around, but the book is not about those families; it is about the one family that turned out to be the right family.

Nikki Grimes is interested in real life and real feelings, not melodrama. We’ve all seen television shows and movies, and read books, where a character suddenly and without warning has an extreme reaction to something seemingly insignificant. This leads to the realization that the character has A Secret, which of course leads to the inevitable Discovery or Disclosure of The Secret. And of course that Disclosure or Discovery is drawn out as long as possible, for maximum emotional impact. Because that’s drama and drama is good. Right? In The Road to Paris, Paris does in fact have the occasional “freak out” that, to those around her, must seem unwarranted. For instance, there is an early meal at the Lincoln house where Mr. and Mrs. Lincoln each decide to have a can of beer. Why should this send Paris running to the bathroom to throw up, and why does she then seclude herself in her bedroom for the rest of the evening? And why is she surprised the next morning that normal life has continued uninterrupted? The Lincolns don’t know, and never know. Or do they? It doesn’t matter.

At another point in the story, Paris has an unfortunate reaction to sleeping in a completely dark bedroom. And again, this Secret is not kept through the entire book. In fact, Paris immediately spills the beans to one of her new brothers, and the situation is quickly and perfectly resolved.

What I really appreciate about Nikki Grimes’ writing is that she “gets” that many of us have hot button issues, and that we usually don’t take the time to explain our inner workings to everyone we meet. And so we often have reactions that take others by surprise and must make us seem somewhat crazy. However, Grimes does not use this for cheap drama. And the way that she avoids going for cheap drama is that while the Lincolns and others may not understand what sets Paris off, we do. Because while Paris has her secrets, they are not kept secret from the readers. And this is as it should be – the story is told from Paris’ point of view, and so to share some of her thoughts with us but not others would be, well, cheap.

Another aspect of this that Grimes gets right is that Paris’ reactions always fit the circumstances. We understand why she reacts the way she does to the beer. It fits. And we understand why she reacts the way she does to the pitch black bedroom. There is also a situation involving a perceived betrayal by her best friend. Readers may not agree that Paris has been betrayed, but they can certainly understand why she would be upset and why she would never want to go that girl’s house again. We even understand why she would build a wall around herself when another girl tries to be her friend.

 The Road to Paris is a very realistic depiction of a very real situation for many kids. And while alcoholism and foster care are not happy topics, this is not a depressing book. In a way, it is the story of a girl who, after years of pain, finds herself with too much love.

Never judge a book by your first read. Two years I ago, I read Road to Paris by Nikki Grimes and disliked it. Although I still don’t care for the ploy in the preface of a “deadly” phone call, this time around I did really enjoy this foster care story.

Eight-year-old Paris and her older brother Malcolm have been deserted by their mother. When they run to their grandmother for help, she tells that she’s already raised her own kids and is too old to start again. As for foster parents, being as abusive as their mom’s boyfriend, they haven’t worked out well either. Then Paris moves in with the Lincolns. Now the question is can Paris ever trust anyone again?

Why am I rereading a book that I initially disliked? Well, Road to Paris was a 2010 Golden Sower nominee. If you read author Nikki Grimes’ bio, you’ll find that the book seems largely drawn from her real life. Her parents were separated and united several times, before they divorced. Consequently, Grimes and her older sister were bounced around from relative to relative and foster home to foster home. Many of those experiences sadly were horrendous. Is it any wonder that several of her books including Road to Paris are about foster homes?

As for multicultural aspect, the first clue to the ethnicity of Paris occurs on page nine: “Paris’ white blue-eyed father abandoned her when she was four. Apparently, he couldn’t handle walking down the street with a child whose skin was so much darker than his own.” The next clue comes on page twenty: “…. pressed her brown face against the cool window of the train….” Then when Paris meets the Lincolns, we learn that they are one of three black families on the block.”

Paris suffers prejudice in two ways: one due to being a foster child and other due to her color. For example, although Mrs. Lincoln acts loving and kind, her sister reacts to Paris by saying, “This is the new one, huh? My God, Sis, you collect sick kids like strays.” Then later Paris feels ready to give up on white folks when her best friend’s father calls her “a nigger face girl”. After the latter incident, Mrs. Lincoln has a heartfelt talk with Paris about how to handle hateful people.

My rating? Read it: Borrow from your library or a friend. It’s worth your time.

How would you rate this book?

Nikki Grimes.

Nikki Grimes. (Photo credit: Wikipedia)

Next up on my month of reviews of multicultural Golden Sower nominees is author Nikki Grimes. As a foster child from a broken home, she moved from place to place, always saying goodbye to new friends. Reading and writing became her survival tools.

Growing up, books were everything to Nikki Grimes. Yet in all of her reading, she rarely anyone in them who looked like or who had her life experience. For that reason, she began to feel invisible. When she had no one else to talk to, Grimes wrote poems and stories about the things that were bothering her. She also vowed to one day write books about children who looked and felt like her. And so she did!

As a full-time writer, Grimes works six days a week, except for Thanksgiving, Christmas, New Year’s, and Easter. And, like Joseph Bruchac, her demanding schedule impresses me: An Author’s Life

Yet somehow Grimes finds time for other loves. For example, she loves to travel, learn new languages, and discover new cultures. She also sings and dances, exhibits her photography, and creates wearable-art jewelry. Due to limited time, this latter pursuit is now done only for family and the sheer joy of creating art.

In this little overview, I’ve only skimmed the highlights of the Nikki Grimes’ life. To dig deeper, read this interview transcript from Reading Rockets.


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Looking Ahead

The end of my thematic review months is coming to a close. Starting mid-May, I'll review an assortment of books.

  • May 13: Every Hill and Mountain (Legacy trilogy) by Deborah Heal
  • May 17-18: Interview, Review of Coyote Winds by Helen Sedwick
  • May 22: Zoo Station, true story by Christiane F.
  • May 25: Regine's Book by Regine Stokke
  • May 29: Boy 21 by Matthew Quick
  • June 1: Sort of Like a Rock Star by Matthew Quick

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Thirty days. Average of 2000 words per day. A total of 58,600 words. I am a NaNoWrimo Winner in 2012.

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