Allison's Book Bag

Posts Tagged ‘author interviews

There are days when I tire of being a reviewer, but then along comes a book like Coyote Winds by Helen Sedwick that makes me feel excited about my role. Coyote Winds  is a bittersweet story, full of sadness and hope. As a historical novel, it’s about Myles and his family who struggle against overwhelming odds to maintain a farm during the depression and the Dust Bowl. As a young adult novel, it’s about thirteen-year-old Andy who lives in our modern times but misses his Grandpa Myles and is determined to keep his grandfather’s memories alive.

It’s been a long time since I have read a book about the love between a boy and a wild animal. Books such as Rascal come to mind. Being about a teenage boy and a coyote he rescues from a dust storm, Coyote Winds is also such a book. Their relationship is not without angst. When Myles brings Ro home, his father warns him that a coyote can’t be trusted. Moreover, their neighbor threatens to kill Ro, because of how certain he is that Ro will destroy livestock. This prediction seems true one day when the family arrives home to find Ro chasing their hog. But then the family realizes Ro is trying to keep Spark Plug from escaping her pen. Over the years, the relationship between Myles and Ro is tested, in ways that will make you mad and happy and sad. Isn’t that how the best relationships are?

A Dust Bowl storm approaches Stratford, Texas ...

A Dust Bowl storm approaches Stratford, Texas in 1935. (Photo credit: Wikipedia)

If you look at the back pages of Coyote Winds, under the Suggestions for Further Reading, you’ll find references to books about coyotes and other multiple other topics. You see, Coyote Winds is also about the Dust Bowl, homesteading and life on the American Western Prairie, the Great Depression, and even Volga German settlers. Whew! That’s a mouthful. With all these elements squeezed into a novel of just over two-hundred pages, you might expect Coyote Winds to read like a dry textbook. In contrast, while reading it, I found myself thinking of other novels which cover the same time era such as A Lantern in her Hand by Bess Streeter Aldrich and Grapes of Wrath by John Steinbeck. The first especially carries the same poignancy of a family facing changes and hardship but also in love with the land that they own and are trying to master. Some of the most heartbreaking scenes in Coyote Winds occur when one by one, even the most arrogant families are forced to admit that the land will forever be their master. Not that this means they give up and leave, for some do endure, but these pivotal moments still tore me up.

The last topic I’ll address is how Sedwick makes use of the literary “story within a story” device. Anyone who follows my reviews knows that this isn’t one of my favorite techniques. To be honest, until the second half of the Coyote Winds, I’d intended to fault Sedwick for it. Coyote Winds is inspired by her fond memories of her father. Thus, it probably felt more natural for her to write as a young person looking back than one firmly entrenched in our modern world. For a while then, I wish she had just written about the teen in the past. Especially given that the affection she feels for her father and his memories comes across so strong that Sedwick seems at times to have fallen into the trap of promoting the “good old days”. However, because the story of Myles is so compelling I kept reading and eventually decided that both stories were needed. Only through both stories can we realize how cruel but beautiful nature is. And only through both stories can we understand the message of believing in dreams, no matter what the pain and cost.

When a book can make me feel as many emotions as Coyote Winds, I feel safe in declaring it an excellent read. What a beautiful tribute Sedwick has written for her father and what a wonderful story she has given to the literary world. I hope she has future historical tales to share.

My rating? Bag it: Carry it with you. Make it a top priority to read.
How would you rate this book?

HelenSedwickHelen Sedwick is the author of Coyote Winds, an historical novel about the Dust Bowl. Having been inspired by her father’s stories of growing up during the Dust Bowl, Coyote Winds is a story close to her heart. I appreciate that she took time to answer questions and to write a guest post. Enjoy!

ALLISON: In one interview, you noted that you grew up in a theater family and that a dinnertime sport was to speculate about people’s characters and their story. What is the most outrageous story your family came up with?

HELEN: Oh, I wish I had a better memory. One comes to mind. It seemed outrageous at the time, and later proved to be percipient.

My mother was a woman of elegant reserved. (She played Dr. Sedwick for years on THE GUIDING LIGHT. Yes, they used her real name for the character. Some of your readers may remember her or find her on YouTube.) One time, when Richard Nixon appeared on television, my mother hunched over and launched into a Nixon imitation. The scolding finger, pinched forehead, darting eyes and one-sided scowl. It was hilariously and completely out-of-character for her. She called Nixon a study in paranoia. A few years later, Watergate proved her right.

ALLISON: In the same interview, you indicated that you tried acting but weren’t good at it. Have you tried other theater roles such as screenwriting or directing? What was your worst theater experience?

HELEN: Years ago I wrote a comedic play about dating titled Telling Tales. It ran for a couple of weekends in a small theater in Los Angeles. That was both my best and worst theater experience—getting produced, then closing in a flash.

ALLISON: Since your teens you have written in some form or another. What was your favorite subject in school and why? What was your worst subject in school and why?

HELEN: Interestingly, but it was math. The puzzles and logic of math made sense to me. I didn’t love math, but I did well, and when you are a teenager it’s a relief to do something well. My most painful subject was French. In 10th grade I transferred to a high school where my classmates had been studying French with a real French woman. I had one year of French with a teacher who spoke with a thick Brooklyn accent. I did not have a clue what was going on. I was terrified of getting called on. I remember the teacher gave me what was called a “charity pass.” D.

ALLISON: Have your experiences with advertising or business law helped you as a writer? When did you decide to become a writer?

HELEN: I always wanted to be a writer. But I saw how my parents, both artistic types, were taken advantage of because they did not understand business or money. After college, I realized I too had no idea about business or money, and I did not want to be taken advantage of like my parents. I went to law school with the plan that I would practice law long enough to learn what I needed to know, then quit and start writing again. Unfortunately, life, children, mortgages and school tuitions have a way of keeping us working instead of pursuing our dreams. Most of those obligations are behind me now. I am able to work part-time now and write more.

ALLISON: I loved your description in your guest post about “Why I Write for Teens” about yourself as a teen. Exactly how I felt at thirteen! How do you recapture those feelings and update them for today’s teenagers?

HELEN: I viscerally remember the painful awkwardness of those early teen years. Don’t you? And when you see your own children go through it, it all comes back to you. You want to help them, but there is only so much you can do.

ALLISON: Your father’s stories of growing up during the Dust Bowl inspired you to write Coyote Winds. If you could travel to back in time, what time period would you pick?

HELEN: The 1920s. Women had just won the right to vote. They were shedding their corsets, cutting their hair, and spreading their wings. It was a time of optimism and promise.

ALLISON: In your bio, you write that you grew up in the wilds of New York City before there were coyotes in Central Park. How close have you gotten to a coyote? Or any other wild animal?

HELEN: Now I live in a rural area of Sonoma County, so I see a lot of wild life. Foxes, deer, hawks, wild turkeys and coyotes. We also backpack in Sierras. On one backpack trip, a coyote followed alongside us for quite a while. She was not more than fifteen feet away. I suspect she had some pups nearby. And once a small black bear charged into camp while we were having breakfast and took off with a bag of food. We almost chased him until we realized there was probably a mother bear close by.

ALLISON: You have lived in New York, Chicago, and San Francisco. Which is your favorite place and why? If you had to pick somewhere else to live, where would that be?

HELEN: I love the San Francisco area. The area is sophisticated and educated. If you are into art, music, food, wine, writing, it’s all here. But so are stunning natural surroundings. Whether you enjoy oceans, rivers, mountains or rolling hills, they are all close by. And California is the home of transplants. Almost everyone came here in pursuit of a dream. I love that. I am staying put.

ALLISON: The weirdest experience for you was having twins. What’s your most memorable experience?

HELEN: That is a hard one because I have so many. Hiking to the bottom of the Grand Canyon, camping overnight, and hiking out again all by myself is certainly one of them. The canyon is a timeless, mystical place. Silence and solitude were my companions. I recommend it for everyone’s bucket list.

ALLISON: How has being a published novelist changed you?

HELEN: I feel more centered. I have accomplished something I have always wanted to do, and I know that I can do it again. It requires hard work, and I will certainly have moments of doubt when I want to delete every word, but I know that I can retreat to this private, writing place and create a gift to give others.

ALLISON: How does your dad feel about Coyote Winds?

HELEN: Sadly, my father passed away in 2008. I had heard his stories about the Dust Bowl, and he left a wonderful memoir about those times. After he died, I was not ready to say good bye. I looked at his memoirs and found a way to bring them to life in COYOTE WINDS. He would have loved COYOTE WINDS. In fact, I am sure we would have written it together.

ALLISON: What’s next?

HELEN: Although I have several fiction projects at various stages. I am currently working on a non-fiction book tentatively title “Keeping It Legal, A Step-By-Step Guide to the Legal Issues of Self-Publishing, Blogging and Marketing Your Book.”  Surprisingly, there isn’t a book that covers both the mundane and the intellectual legal issues.  And I am asked legal questions all the time by my writer friends.  I just started a blog and will use it to develop and test material for the book: Keeping It Legal

CONTACT INFO:

Website: http://www.helensedwick.com

Facebook: http://www.facebook.com/helensedwickauthor

I have posted my father’s memoir on my blog. www.helensedwick.blogspot.com

Peter-and-Cheryl-BarnesPeter and Cheryl Barnes are a husband and wife team specializing in educational books for children. A creative director of Little Patriot Press, Cheryl is an illustrator with a background in architecture. A journalist who currently works for Fox Business Network, Peter has reported for various organizations. Their books have won numerous awards including 2010 USA Book New Best Book Award, the National Council for the Social Studies Notable Trade Book for Young People Award, and the Distinguished Authors for a Body of Work Award from the Capital Books Festival. The Barnes have two grown children and live in Virginia.

Over the past few months, I have been privileged to review their Woodrow Mouse books and their latest recent President Adam’s Alligator and Other White House Pets. Today I’m also privileged to present my interview with them. 

ALLISON: How did you come up with the idea of the Mouse Tale books? Why a mouse?

CHERYL: Our second book was Alexander the Old Town Mouse…about my home town Alexandria, Virginia. I went and met with the city archeologist and asked her what animal character would be appropriate for a book about our city….and she immediately said…a mouse….Because when they found mouse skeletons all over when they did archaeological digs….Mice can go everywhere….they can hide…and they can have a parallel world going on without us humans knowing about it…. And Mickey Mouse hasn’t done so bad for himself!

ALLISON: You have written many educational books. What drew you to this field?

CHERYL: It was not planned. My husband decided he wanted to do a little children’s book about our favorite vacation spot, Nantucket, Mass….he wrote a little ditty about Nat, Nat the Nantucket Cat and we sold a couple of thousand books the first year…We self published….and then we thought…Hmmmm. let’s try another and another….

The White House book was our first educational book and that was not our idea. A mom who had kids at our kids school approached me the idea…since she worked at the White House….we did that…then the capitol folks called…then the Supreme Court was the next logical book to do….

ALLISON: Why did you decide to tell the stories in poetic form instead of narrative fiction?

CHERYL: Because my husband Peter is very good at rhyming verse…very clever…and the kids seem to like the sing-songy lines…our new book, President Adam’s Alligator is not in rhyming verse since it is too hard to rhyme all names of the real presidential pets and create a good story.

ALLISON: Were the two of you good students?

CHERYL: My husband Peter was always a good student…me…not so much. It turned out I am dyslexic but in those days they just didn’t know how to diagnose it very well. So I struggled. I never thought I was smart! But I had a good personality and was a good artist to compensate for my lack of self-confidence in my ability to excel in school. After our oldest daughter Maggie was diagnosed, I realized I had so many of the same difficulties growing up…so I went back and did some graduate classes…and since I understood myself better, I aced the classes! Self awareness is a wonderful thing!

ALLISON: What is your favorite animal? Is there an animal you dislike? Why?

CHERYL: My favorite animal has to be Barney because I got to spend time with him at the White house….He was so sweet and loving in the early years….he got a little feisty and ornery as he got older but we all do! I don’t like snakes and I don’t really count alligators as a favorite pet either. Reading about the Teddy Roosevelt family and the boy’s fascination with snakes gave me the creeps!.

ALLISON: In one interview, Peter said that people are always shocked to realize he is the author of the Mouse Tail books. What is one other thing that readers might be surprised to know about the two of you?

CHERYL: We live with 5 kitties. 3 are feral kitties that decided to move inside when it started to get cold. And NO I am not a crazy cat lady! Peter and I have been involved with a wonderful organization called the Wheelchair Foundation over the past 10 years. I helped organize a wheelchair distribution in Kabul, Afghanistan…going there was quite an experience…And Peter has traveled all over the world following our Presidents when they attend economic summits!

ALLISON: How did the two of you become an author and illustrator team?

CHERYL: When we decided to self publish Nat, Nat the Nantucket Cat.

ALLISON: What topic(s) have you found most interesting to explore? What topics would you still like to explore?

CHERYL: I want to learn Chinese! Peter wants to study theology

ALLISON: Do you visit libraries and schools to promote your books? What were your most memorable moments?

CHERYL: When it was still allowed. the US Capitol had me come and do a book signing at the House Gift Shop. We sold hundreds of books and I got to meet may of the Congressmen, Congresswomen and Senators who came to have us sign books!

ALLISON: Cheryl has a background in architecture. How have you drawn upon this background when creating your illustrations?

CHERYL: I am a little obsessive compulsive about trying to get the buildings and rooms and details as exact as I can…the more teeny tiny details the better …and kids seem to like it. I have never had any formal training in art…so I guess it is a gift…but I have worked hard to use that gift to the best of my ability….Practice…Practice…Practice!

ALLISON: Cheryl is also a Creative Director for Little Patriot Press. Talk about an average work day.

CHERYL: My offices are very close to the US Capitol so I get to see that beautiful building many times a day! The Publisher I now work with, Regnery, has me working on lots of other children’s books…I work with authors and find wonderful talented illustrators for each project…The publishing team that I work with are bright and energetic…and I love being around lots of young creative people!

ALLISON: Peter is a journalist. How have you drawn upon this background when writing your books. Talk about an average work day.

PETER: I have been covering Washington DC and the economy for 20 years and draw on my experience as a reporter here all of the time for our books about civics. Because I cover the economy, I work pretty much all of my waking hours, as the financial crisis made Washington DC the center of the universe for policy responses and we are getting news all of the time on it. Today I am reporting on the Federal Reserve, in fact.

ALLISON: What’s a lazy day for the two of you?

CHERYL: We have a little sports car that we love to drive and go exploring. We live in a beautiful part of the country…with the Blue Ridge Mountains and the Atlantic Ocean within a few hours drive!

ALLISON: What’s next?

CHERYL: We love what we do…so we will keep working…but with our first grandson Tristan more grandchildren on the way….we want to spend more time having FUN with them!

For more information about Cheryl and Peter Barnes, check out these two sites:

GenniferAlbinBack in October, I received a request from AudioGo to review Crewel by Gennifer Albin. Subsequently, in November, I had the pleasure while participating in National Novel Writing Month to read an inspirational email posted by Albin at the organization’s site. That’s when I learned that not only had she participated in NaNo, but Albin had went onto revise and publish the novel she drafted during NaNo. So, I felt doubly excited to interview to Albin.

ALLISON: Tell us about Gennifer Albin as a child. What is your most memorable moment? What is one you’d like to forget?

GENNIFER: I was a bookish kid, but I did spend recess playing pretend with the boys instead of reading. In 5th grade, I got the coveted position of radio DJ for the school field trip to exchange city and that was pretty memorable, especially since when we got there we discovered they had one cassette tape for us to play the whole time.

I guess I always felt more at home with the fictional and fantastical as a kid. I suppose I would most like to forget just how isolated I felt as a kid. I had friends but very few who understood me. I’ve always looked at the world a bit differently than my peers and that made for some depressing childhood moments.

ALLISON: What about as a teen. What were your favorite subjects? Were you ever discriminated against as a girl?

GENNIFER: I loved English and Theater as a teen. High school was the first place we really got to discuss books and all of my English teachers encouraged us to do so. Even though we were still reading pretty traditional fair, I’ve always relished that time.

I’m positive I was discriminated against as a girl, but I always felt empowered. I never really believed a boy could do anything better than me just because he had a penis. As an adult I’ve been much more aware of gender discrimination and more attuned to fighting it.

ALLISON: What most sticks with you from your women’s studies in grad school? How did you pick that topic?

GENNIFER: I loved studying women and novels. Both female characters and female authors lend such interesting insight into the human condition. I’ve always found that books that really speak to me tread the line of pointing out injustice without getting on a soapbox. I want to read books that make me think and I found women’s studies to be a haven for difficult books that forced me to question my perception of the characters and the society they lived in. Most of my work was centered around the depiction of rape during the 18th century. It was a fascinating and brutal subject. There’s still a lot of work to be done on it.

ALLISON: You have a blog and a private group for write at home moms. What challenges did you face in getting those started? What is one highlight from each of those ventures?

GENNIFER: I started the Write-at-home Mom Society or WrAHM, because when I wrote my first novel I felt very isolated. I didn’t have the free time to go to writing groups and shortly after I sold my book, I discovered how many other moms were in the same position. So I gave us a name and started a FB group. I have to brag that since its inception, the WrAHM Society has celebrated agents and book deals galore. It’s amazing to share those experiences with each other.

My blog is always a roller coaster. Sometimes I’m on top of it and other times I am not. These days I’m more focused on twitter and FB.

ALLISON: You participated in NaNo? This year was my first try! What was the experience like for you? How did you end up deciding to try to publish Crewel?

GENNIFER: I always knew I wanted to publish a book, so even as I drafted Crewel I was working toward that goal. I decided to try NaNo because I’d never managed to get all the way through a book before I gave up. My manuscript was nowhere near complete when I hit 50k, but just knowing I could do that made all the difference. NaNo is really all about community and building an arsenal of writing tools that help you get the words on the page. As difficult as editing and submitting is, nothing is harder than making the time to write that first draft.

ALLISON: You studied quantum physics to write Crewel. In five sentences or less, explain it to those of us who don’t know anything about it. Or is that even possible?

GENNIFER: Totally not possible. Basically I studied a number of theories on how the universe functions and then sort of threw them in an idea blender and created the dynamics of Crewel.

ALLISON: You had to do a lot of research for Crewel. What fascinated you the most? You alluded to taking liberties with what you learned. How does one take facts and bend them for their own universe but still make that feel real?

GENNIFER: I would say string theory fascinated me the most—I obviously took some big liberties with it.

I think the real key with creating believable science fiction is to have believable characters. If your characters feel real then you will follow them anywhere and through anything.

ALLISON: You have been complimented on your world-building. What advice would you give to aspiring science fiction writers?

GENNIFER: Layer. Layer. Layer. Get feedback from readers and layer more.

ALLISON: You obviously like science fiction. What are your favorite sci-fi movies? Why?

GENNIFER: I love Blade Runner. When you watch that movie it feels like it was made yesterday and the future it portrays feels entirely plausible. Basically anything based on a Philip K. Dick story fascinates me. His worlds and situations are so vital and yet so alien all while addressing some of the most fundamental questions of human existence.

ALLISON: What’s next?

GENNIFER: I’m finishing up the second Crewel book and jumping into the third. Past that I have a whole folder of ideas for my next big project, but for now, they must wait.

Sometimes the gripping plot or engaging characters are what sell a book. With Mythical Voyage: Tale of the White Ponca, Robin Ymer’s gentle style is what wins me over. Her book has the feel of a read-aloud tale, perhaps because it originated as bedtime stories for Ymer’s young children.

The plot is a simple science fiction spin on the origins of unicorns which for the most part works. Two unicorn parents have a baby, Bibi, whom everyone soon realizes is different from them. Eventually, the parents learn that Bibi is destined to become a messenger and will eventually travel through portals bringing hope to inhabitants of other planets. The first part of the book is reminiscent of our folklore about Rudolph the Red-Nosed Reindeer, who became an outcast because of his nose, but eventually ended up becoming the head reindeer for Santa Claus. The second part resembles epic journey stories and includes some delightfully fun scenes: “She would stomp her hoofs to dislodge lizards from their hiding places; and when they hastily fled head high in search of quick shelter, she would trot after them practically at their tails.” Alas, this middle section is where important information is sometimes given after an event has already been set in motion. Case in point, in one paragraph, we learn that Bibi’s family will go on a long journey, thus deserting their cave. In the next paragraph, we learn that colonies were crowded and so an abandoned cave could be quickly taken over. It feels as if Ymer is making up her story as she goes, which makes for bad plotting but also fits the air of a bedtime tale—and so might not be a completely wrong choice. As for the end, I concur with other reviewers who felt it came too quickly. One minute, Bibi is learning wisdom from the Guardians and the next she is travelling through a portal to her final destination. Especially given where Bibi ends up, why not show her adjustment? Then again, this would add bulk to a book which at one-hundred-and-fifty pages already feels rather long for its intended audience of six-to nine-year-olds. And yet Ymer’s style kept me entranced and so it might have been worth tacking on one extra chapter.

When it comes to the characters, there are things which I liked and disliked. Let’s get the negatives out of the way. First, I’m not sure why Ymer decided to call the unicorns “Poncas.” On her website, the question is asked: “Why write another story about a unicorn?” Ymer responds that Mythical Voyage is not another unicorn adventure, but one where the reader becomes acquainted with the Ponca. It feels as if she tried to distance herself from the label of unicorn, perhaps with the hope of creating a unique animal. However, the reality is that both her descriptions and illustrations made clear that she’s writing about unicorns. So why not just call it what it is? Especially when a Native American tribe also has that name? Second, I’m not sure why Ymer drew attention to the baby’s color, portraying white as special and black as ordinary. Not that I’m trying to be politically correct but that seems like an unusual choice in a world that often judges people by color, especially when Ymer then never mentions this unique feature again. When it comes to the positives, I love how Ymer creates a unique culture for her brand of unicorn. For example, her unicorns dislike being alone, communicate only through sounds, never make any sounds except with their hooves, have a morning ritual of grooming one another and an evening ritual of telling stories, and the list goes on. For one hundred and fifty pages, I lived in another world. What an awesome feeling! Then there’s the other feature which makes Bibi unique: her horn with its seven twirls. Her extra-large horn distinguishes Bibi as one of the wise ones and a messenger. That was a cool idea.

Cover of "Serendipity"

Cover of Serendipity

Last, there is Ymer’s style. Anyone remember the Serendipity Books by Stephen Cosgrove, which were popular back in the 1970’s? This is one comparison that comes to mind. Another is Louisa Mae Alcott’s Flower Fables, stripped of their syrupy-sweet preaching. Mythical Voyage is a quiet unfolding tale, which makes me think of gentler faraway times. There are some stories which set the heart racing, others which make one weep. Mythical Voyage does neither, but instead feels like a calming breeze, which is a great reason to read a book. I can easily imagine myself a parent pulling out this book, brewing up some hot chocolate, and gathering my children around me to read. And that seems like a perfect reason for me to recommend Mythical Voyage: Tale of the White Ponca.

Author’s Note:  BIBI is THE Unicorn, and therefore must be white. I did not invent her. As I have written to you in the interview, I am acquainted with an African belief that Albinos born among Black People are thought to have supernatural powers. So I had the idea to create a tribe of “black unicorns” which I named Poncas (totally unrelated to the North American Native tribe), with specific characteristics and powers that would allow Bibi to develop into the Unicorn, the creature that appeared on Earth in Medieval times. Bibi can be interpreted as being an albino Ponca.

My rating? Read it: Borrow from your library or a friend. It’s worth your time.

How would you rate this book?


Allisons' Book Bag Logo

Looking Ahead

The end of my thematic review months is coming to a close. Starting mid-May, I'll review an assortment of books.

  • May 22: Regine's Book by Regine Stokke
  • May 25: Zoo Station, true story by Christiane F.
  • May 29: Boy 21 by Matthew Quick
  • June 1: Sort of Like a Rock Star by Matthew Quick

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Thirty days. Average of 2000 words per day. A total of 58,600 words. I am a NaNoWrimo Winner in 2012.

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