Allison's Book Bag

Posts Tagged ‘Korean American authors

There’s something to be said for the idea that one likes to read books that capture one’s own experiences. I love Good Enough by Paula Yoo, because of all the ways I can relate to it: Main character Patti is an overachiever in school and yet capable of having fun. Her parents have flawed ideas about what might bring her happiness, but are otherwise stable, hard-working adults who want only the best for her. That’s why although they encourage her to play the violin, they don’t want her to pursue the risky profession of a musician. Her church youth group is as flawed and normal as her school peers, while also believing in God. And, like most average adolescent girls, Patti is attracted to the best-looking guys in school.

There are some differences between Patti and I. My hard-earned grades got me into college, but the Ivy league schools weren’t even a consideration. I grew up the only child of a widower father. And, while I liked to play piano, but my actual passion has always been writing. Yet despite these little discrepancies, I felt as Paula Yoo was writing about me, which isn’t something I often feel about the fiction I read.

There’s also something to be said for the idea that one should write about what they know. As a graduate of Yale University, Paula Yoo would intimately know all the intricacies of what applications to those schools would involve. Perhaps, this is why she can give strategies for being accepted, examples of SAT questions and tips on how to solve them, and provide perfect responses to interview questions. None of this academic talk ruins Good Enough, because Yoo writes with a light and interesting style. As a former concertmaster for an all-state high school orchestra, Yoo would also intimately know all the intricacies of playing an instrument for it. Perhaps, this is why she can list classic musicians, list their styles, talk about who inspired them, tell what challenges they faced, and explain how to best play their musical scores on the violin. In between the music talk, Patti (like Paula Yoo) sneaks out occasionally to see cool bands, undergoes a bad home perm that burns her ear, and works on a few songs with a cute guy in her classroom.

There is one outstanding way in which Paula Yoo and are different. She is Korean American; I am Canadian. And so in the same way that Yoo can easily write about the rigors of applying to Ivy League Schools or competing for concertmaster position with an all-state high school orchestra, she can also easily share aspects of her Korean American culture. From her, I learned some Korean phrases and foods. Three recipes are even included, all with funny tips about how to obtain or prepare the ingredients: “Again, I’m assuming you know where to buy kochu jang. If you don’t, try to find the nearest Korean church in your town and sneak into their kitchen…. Don’t forget to return it afterward, because ‘Thou shalt not steal’ is the eighth commandment.”

How to Make Your Korean Parents Happy

  • Get a perfect score on the SATs
  • Attend Korean church every Sunday
  • Don’t talk to boys
  • Don’t rock the boat
  • Be good at math

For Patti, gong to church was not just about congregating to celebrate God and socialize with others. “Korean church is also where parents try to one-up each other on their children’s accomplishments.” This theme of being successful is huge in Good Enough. Patti’s parents believe that their daughter will be successful if she is accepted into the Ivy League schools. Her parents have good reasons for this belief. Her parents grew up in Korea, where they had to pass a difficult entrance exam to be accepted into university. That was the only way to get a job and have a career. Her father struggled so much during his youth with calculus that he attended a hagwon (private school) every day from two o’clock in the afternoon until ten at night including weekends. Moreover, he studied every day for fourteen straight hours until exam day. Talk about pressure!

Yet Patti learns that success is not everything: “Safe from what, Dad? Nothing’s safe! Remember how Stephanie’s mom yelled at you. She didn’t care what college you went to! It’s not about where you go to school or what job you have!” Several examples of racism are scattered throughout Good Enough, the above being one of them. In the cafeteria, the football quarterback taunts Patti: “Ching chong … Jap” Patti wonders what her ethnicity has to do with her being brainy or physically uncoordinated? On Halloween, a white classmate dresses up as a geisha and says, “Me speakah no Engrish.” Patti wonders if the girl would have dressed up like this if there were other Asians in the school besides Patti.  Then there’s the incident at a clothing store, from which I took the above quote. The family is in line at the register when her dad remembers that he needs socks. When their turn at the register comes, a customer behind them complains, “Where did that Chinese man go?” First, Patti’s family is not Chinese. Second, again, what does their ethnicity have to do with anything? Even when Patti’s dad returns seconds later and apologizes with an accent, the customer complains: “Is he speaking English?” Not willing to let the moment go, the customer rants, “These people, they come to our country, they don’t bother learning the language.” Ironically, Patti’s parents have been so determined to ensure her success in America, that the family speaks only English at home. Patti herself knows only a few Korean phrases.

Good Enough “is based on my own life growing up as a ‘violin geek’. I have often read books about violinists that come off as very ‘well-researched,’ but do not have the authenticity and ‘insider knowledge’ that a real violinist would have. I tried to bring that authenticity across in my novel. In addition, although my novel is about a Korean American teenage girl who pursues her love of music despite her immigrant parents’ academic pressure on her, I wanted my novel to strike a universal chord among all teens.”
–Paula Yoo, Asia in the Heart, World on the Mind

My rating? Bag it: Carry it with you. Make it a top priority to read.

How would you rate this book?

Paula Yoo has some interesting stories to tell about how she knew when she wanted to become a writer. For example, according to her profile at Lee and Low, Yoo began writing short stories and even mini-novels in kindergarten. On the back of the latter, she’d even draw a picture of herself with a biography that read: “Paula Yoo, age 7, is a second grader at Keeney Elementary School. This is her first book.”

In an interview at Asia in the Heart, World on the Mind, Yoo shares that after reading Charlotte’s Web in the first grade, she felt inspired to write her own stories. Her first “novel” was a 75-page handwritten book entitled “The Girl Called Raindrop.” Yoo submitted it to Harper & Row because they published her favorite series, the Little House on the Prairie books by Laura Ingalls Wilder. Yoo received a nice letter from them saying that she was ‘talented’ and should consider trying out for their writing contest for children ages seven to ten. However, Yoo was so upset they were rejecting ‘The Girl Called Raindrop’ that she tore up the letter. She thought, ‘I’m not a CHILD writer, I’m a REAL writer!’

Basically, Yoo has wanted to be a writer since the moment she learned to read. She loves putting words on paper to create a whole new world, an entire universe filled with fascinating characters. And–Yoo wanted to have her picture on the back of a book, just like her favorite authors!

Before becoming a full-time writer,Yoo worked as a freelance musician, English and music teacher, journalist, and tv screenwriter. By working as a reporter for The Seattle Times, The Detroit News, and PEOPLE Magazine, she paid off her journalism graduate student loans. Journalism taught her how to write on deadline. Yoo then taught for a little bit before switching over to being a full-time TV screenwriter for shows like Beyond the Break (The N), Eureka (SyFy), Hidden Palms (The CW), Side Order of Life (Lifetime), Tru Calling (FOX), and The West Wing (NBC).

Her lifelong dream of becoming an author came true with the publication of Sixteen Years in Sixteen Seconds: The Sammy Lee Story. He was the first Asian American to win a gold medal at the Olympics in 1948 for diving after facing racial discrimination. Yoo submitted her nonfiction book to the Lee & Low Books “New Voices” contest, because she loved their books and thought it’d be a good entry for them.

Her first young adult novel Good Enough was written between her TV jobs. Yoo says, “I was unemployed and took advantage of the free time to work on a new novel. I wrote about my life as a teen violin geek. I literally wrote this novel in five weeks straight. It just poured out of me. I then revised it and sent it to my agent and he submitted it to yes, HarperCollins, and they finally decided I was a ‘real’ writer and not a ‘child’ writer and published it!”

The above information I compiled from mostly from online biographies. I encourage you to also check these interviews:

Julia and her best friend Patrick would like to win a blue ribbon at the state fair. They like doing projects together and work well as a team. This time though they’re having trouble coming up with the perfect idea. Then Julia’s mom offers a suggestion: They can raise silkworms, just as Julia’s mom did when she was a girl in Korea. Unfortunately, Julia hates the idea. It doesn’t sound American.

Most of Project Mulberry by Linda Sue Park is about the silkworm project. By the end of the book, I had learned silkworms need mulberry leaves to grow. (Hence, the name of the book.) It takes fifteen days for silkworms to look like anything other than periods. Shortly, after that, the silkworm eggs will seem to grow hairs. Actually, this means the eggs have hatched! Not too much longer after this, almost invisible strands of webbing will appear on the mulberry leaves. This is how silkworms attach to the mulberry leaves. And when the hatched worms are two weeks old, they’ll molt.  There are a few other facts, which you can discover for yourself.

Project Mulberry is also about relationships. For example, until Patrick, Julia had a hard time keeping friends. Whenever new friends would visit Julia’s house, they were quickly asked to play outside because they didn’t like the smell in the house. Julia is embarrassed by how grossed out by their reaction and asks her mom to stop making kimchee. It’s the source the smell, along with being a pickled cabbage from Korea. Then there’s the relationship between Julia and her younger brother. Like many typical siblings, Julia can’t stand him. Her nickname for him is “snot brain”.

And of course to fit the criteria for my graduate research paper, Project Mulberry is about different cultures. In this case, it’s about being American and being Korean. Some of the examples arise from routine life. For example, there’s the kimchee which I mentioned above.  Apparently, Koreans eat it every day–for breakfast, lunch, and dinner. Not Julia! She prefers short ribs. Her family sometimes tease her about this, saying perhaps she isn’t Korean. She in turn thinks Patrick needs his DNA tested, because he’ll eat mouthfuls of kimchee sometimes even without rice.

Another example arises at school. Julia does not want to do something Asian for her science project. She wants “a nice, normal, All-American, red-white-and-blue kind of project.” Yet despite distancing herself from Korean ways, Julia wants to learn how Korean women set their embroidery apart from other Asians: The backside of their fabric looked exactly the same as the front, without a single knot or loose thread anywhere. What does it mean to be American but from another country or ethnicity?

On the flip side, there is even a discussion about what is means to be American. Patrick thinks Julia’s family is cool, because they have all this Korean stuff. He considers his family to be plain old nothing American. Julia tells him that he’s wrong. His family came from somewhere. Now Patrick begins to wonder about his family tree. What does it mean to be American?

Project Mulberry also tackles racism. Some examples are blatant. For example, on one of Julia’s first days to school, students had yelled “Chinka-Chinka-Chinaman” at her. Some such as Julia’s mom’s attitudes towards blacks are more subtle: “You know that black people in this country had a tough time. And lots of them haven’t had the same opportunities as whites. So I’m just making sure that you teacher has had enough opportunities to be a good teacher.” As Julia observes, her mom made her attitude sound reasonable. Yet it’s still prejudice.

Other examples explore the whole question about what racism is. Julia’s family assumes before meeting their neighbor Mr. Dixon, who owns a mulberry tree, that he is white. Ironically, he assumes the same thing–and so is surprised to find out they are Asian. When Mr. Dixon gives Julia peppers for her mom, although Julia is Korean, he makes the comment, “Don’t Chinese people use a lot of peppers in cooking?” On her part, Julia thinks that someone who was black (and so undoubtedly someone experienced with racism) would never make that generalization. Although neither of them intended meanness with their assumptions, she wonders if that makes a difference. Not knowing–and not caring that you do not know–can lead to not bothering to find out. That can be a problem.

My rating? Bag it: Carry it with you. Make it a top priority to read.

How would you rate this book?

Linda Sue Park at the 2007 Texas Book Festival...

Linda Sue Park at the 2007 Texas Book Festival, Austin, Texas, United States. (Photo credit: Wikipedia)

Of the authors I’m featuring this month, Linda Sue Park is the one whom I’ve most heard of. Daughter of Korean immigrants, Park was born in Urbana, Illinois. My husband and I used to visit that region annually when dating to attend Ebert’s Overlooked Film Festival. We’re also familiar with Chicago, the area near where she grew up. My husband attended a technical institute in Chicago for his post-secondary studies.

Determined that their children should succeed in America, Park’s parents allowed only English to be spoken at home. Consequently, although Park grew up celebrating a few Korean traditions and holidays, she felt completely American. She knew little of her parents’ background. Even when she visited Korea at about age eleven, it didn’t initially make much of an impression on her. This is similar to the experience of my step-siblings, who know little of their mom’s home country of the Philippines.

One way that Park was introduced to American culture was through books. Beginning when she was very young, her father took her to the library every two weeks. Because of those visits, Park became what she calls a “maniacal reader”. She also describes herself as a re-reader, someone who comes back to old favorites again and again. In all three ways, we share similarities. During my childhood, despite books at home, my dad and I frequented the library. Reading remains my favorite activity. And, much to the confusion of some of my acquaintances, I love to reread favorites.

Reading was not Park’s only passion; she also loved to write. Even before kindergarten, she began to scribble poems and stories. When she was just nine years old she had a haiku published in a magazine called Trailblazer. Park was paid one dollar for her poem, which she gave to  her father as a Christmas present. He framed the check, which still hangs over his office  desk. My first poem was also a haiku, but it didn’t win any money.

After graduating from Stanford University with an English degree, Park took a job as a public-relations writer for a major oil company. Two years later, in 1983, Park moved to Dublin where she moved to be near an Irishman who became her husband. Me, I moved to be near a Midwesterner who became my husband.

After she married, Park had a baby, taught English as a second language to college students, worked as a food journalist, and had another baby. Oh, and in 1990, the family moved to the United States for her husband’s job. It was a busy time!

Even though most of her jobs required some kind of writing, it wasn’t until the mid ’90s that Park decided to write children’s books. She began by dabbling with short stories. A turning point took place when Park started to research into Korean history. She was partly motivated to explore her roots, because she wanted to make sure her children would have a chance to connect with both their Irish and Korean grandparents. It was also a personal journey. Besides dipping into her own memories, Park interviewed family members. Park was particularly inspired by a collection of Korean folktales that she had read as a child, called Tales of a Korean Grandmother by Frances Carpenter.

While Park began writing short stories based on these Korean folk-tales, an original  story was taking shape in her head too. She didn’t know whether it was meant to be a  picture book, a short story, or something much longer. Several thousand words later  it became evident that she was producing a novel-length book for children. That book  would eventually become her first published work of fiction: Seesaw Girl.

In 2002, Park won the 2002 Newbery Medal for her book A Single Shard, which follows the adventures of a twelfth-century orphan named
Tree-ear. Park became the first Korean American to take home the honor. Since then, Park has published several other novels.

Generally, Park writes between two and four hours a day from her current Rochester, New York home that she shares with her husband and two children. After Park finishes a novel, she feels burned out and revitalizes herself with poetry. Until lately most of her poems, other than that first haiku published in Trailblazer Magazine in 1969 at the age of nine, had been unpublished. However, an editor asked if any of her poems could become picture books. Now Park has five picture books under contract.

To wrap-up my biography of Linda Sue Park, I’ll conclude with a quote. As part of an interview with Cynthia Leitich Smith, Park was asked: “Why is it important for American children to read stories set abroad?”

Park replied:

“In the last couple of generations, our world has gotten dramatically smaller, and the popularity of the Web has accelerated that process. A kid can now ‘chat’ with someone halfway around the world as easily as with the kid next door!

“So paradoxically, their worlds are getting bigger at the same time: They need to learn  more about the world, about other places, their cultures and traditions. To me, this is the most wonderful part about writing stories set in diverse locales and times: the opportunity to explore how people are different — and more importantly, how we are alike.

“If young readers can find common ground with a character from 12th century Korea, perhaps they will find it easier to come to a better understanding of those around them.”


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Looking Ahead

The end of my thematic review months is coming to a close. Starting mid-May, I'll review an assortment of books.

  • May 22: Regine's Book by Regine Stokke
  • May 25: Zoo Station, true story by Christiane F.
  • May 29: Boy 21 by Matthew Quick
  • June 1: Sort of Like a Rock Star by Matthew Quick

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Thirty days. Average of 2000 words per day. A total of 58,600 words. I am a NaNoWrimo Winner in 2012.

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