Archive for the ‘Horror’ Category
I gave The Walking Dead graphic novels a try after becoming a huge fan of the television series they inspired. The graphic novels, by necessity, must tell a condensed story. They are like Cliff Notes with pictures. The Walking Dead television show, also by necessity, had to expand on the story told by the graphic novels.
There’s a sort of paradox posed by graphic novels. A scene of any complexity will require an abundance of panels to convey. Conversely, it requires very little time for the reader to scan those panels. So while a simple story will have a long page length, the time required to read it will be very short. Reading The Walking Dead graphic novels, I would try to slow myself down by studying the illustrations. Of course we all know the saying: a picture is worth a thousand words. Well… maybe in principle. When you’ve just looked at a panel in which a character is surrounded by zombies, and in the next panel the zombies are a little closer, how long do you need to look at that panel to understand what is going on? What will you gain by looking at the panel any longer than necessary?
To see how the television show differs from the graphic novels, let’s take a look at an early scene from both…
Rick’s arrival in Atlanta: the graphic novel
Rick rides into Atlanta on a horse. He is quickly surrounded by zombies. The zombies attack, knock Rick to the ground, and commence eating his horse. Rick shoots at the zombies, runs like hell, and stumbles into an alley. There he meets Glenn, who helps him escape to safety on the rooftops.
From Rick’s arrival in Atlanta to his escape from the zombies with Glenn, the action is simple and straightforward, spanning six pages that can be easily “read” in less than a minute. Any drama created by Rick’s predicament is short-lived because the crisis is quickly averted.
Rick’s arrival in Atlanta: the television show
You can watch this scene here: Watch Rick’s arrival in Atlanta.
Rick rides into Atlanta on a horse. The seemingly deserted city is littered with the remnants of a lost battle, with abandoned cars and military vehicles on every block. Rick rounds a corner to find a massive gathering of zombies. Rick and his horse turn tail and the zombies follow. More zombies come out of side streets and cut off Rick’s escape. The zombies close in, surrounding Rick, grabbing at him, pulling him from his horse, pulling his horse to the ground. The zombies begin to make a meal of the horse as Rick watches in horror. Other zombies take notice of Rick and move in for the kill. In a panic, Rick scrambles under a tank. Zombies crawl after him. More zombies crawl under the tank from the front. Rick shoots a few zombies but there are just too many. Collapsing on his back, Rick puts his gun to his head as he prepares to take his own life before the zombies can get to him. Glancing up he sees an open hatch in the belly of the tank. Rick scurries up and in and slams the hatch cover. There is a dead soldier in the tank. But of course he isn’t dead. Rick dispatches him quickly with his gun, but in the confined interior of the tank the blast of the gun is deafening and disorienting. As Rick struggles to clear his head, he notices the open top hatch. He crawls through to check things out, catches the attention of the zombies, retreats back into the tank and closes the hatch. Rick is isolated and trapped, but safe. For now. Rick sits still and attempts to gather his wits. The radio squawks. A voice says: “Hey, you. Dumbass. Yeah, you in the tank. Cozy in there?”
The voice belongs to Glenn. From Rick’s arrival in Atlanta to hearing Glenn’s voice over the tank’s radio, the scene lasts five minutes. And Rick still hasn’t actually met Glenn, nor is he truly out of his predicament. What next? Well, viewers of the television show had to wait, because this is where the episode ends.
As you can see, the TV version is more complex and, therefore, more dramatic. It made my skin crawl, frankly. More than once, I was sure Rick was doomed. How was he going to get out of this? Whereas when reading the graphic novel, there just isn’t time to get too worked up about anything.
You may think I don’t think much of the graphic novels. Not true. They are simply a different beast. And yes, I do prefer TV, movies, and regular novels to graphic novels. But graphic novels have their place, and their fans. And I am eternally grateful to the creators of The Walking Dead graphic novels: Robert Kirkman and Tony Moore. Without them, The Walking Dead universe would not exist. And while comparing the original medium to the television series, it is worth noting that obviously the television series has a larger creative team. It is therefore to be expected that the television series will sometimes add creative twists to the storyline.
Because I am such a huge fan of the television show, and because the television show seems to stick fairly close to the general plot of the graphic novels, I have stopped reading the graphic novels for now. The graphic novels are ahead of the television show, of course, and I don’t want to ruin the television show for myself by reading “spoilers” in the graphic novels. However, one day the television show will end, and when it does I will almost certainly want to turn back to the graphic novels to satisfy my addiction. In the meantime, I wholeheartedly recommend the series to fans of graphic novels and comic books. And I especially recommend the series to teens who struggle with reading.